[39] The telecast aired to over 60 million viewers who watched at least a portion of the film,[9] becoming the most-watched television musical in several years and earning more viewership than 1993's Gypsy. Rodgers & Hammerstein's Cinderella (also known as simply Cinderella)[1] is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. You can stream Disney's 1950 classic Cinderella (and its two subsequent sequels) on Disney+, while the Whitney Houston -fronted 1997 adaptation and the 1998 Drew Barrymore movie EverAfter are . [20][52] Few songs remaining in Rodgers and Hammerstein's repertoire were deemed suitable until they re-discovered "There's Music in You", a little-known song from the film Main Street to Broadway (1953),[20] in which the songwriters play themselves. Lionel demands that the kitchen be unlocked and searched, and the Prince discovers Cinderella in the courtyard about to run away. [35] Due to the film's child-friendly message, children and family members of the cast and crew visited the set regularly, including Houston's daughter Bobbi Kristina Brown and husband Bobby Brown. The clock strikes midnight as Cinderella and the Prince share their first kiss, but Cinderella flees on foot while the spell is reverted, leaving behind a single glass slipper. Cinderella will waltz into the hearts of the entire family and live happily ever after as one . [64] During the 25th anniversary reunion special aired on ABC on August 23, 2022,[68] Brandy revealed that all of the closeup shots of Cinderella's feet in the glass slippers were done by a foot model with smaller feet than her own size 9, joking that "size nine shoes look like size 12 on TV". [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. The Cinderella: Sarah Michelle Gellar The Gist: A critical and box office bomb, this computer-animated film feels a bit like a warmed-over Shrek, combining the Cinderella story with elements from the Brothers Grimm and Hans Christian Andersen.Cinderella must escape from Fairy Tale Land after her power-hungry stepmother (Sigourney Weaver, 71) tips the scales of . What better message could we send than that? Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone. [37] Zadan agreed that "We've only been able to make [expensive musicals] because of the home-video component. [12] Further development was inspired by the success of CBS' adaptation of the stage musical Gypsy (1993) starring Bette Midler which,[13][14] in addition to being credited with reviving interest in the genre,[14] Zadan and Meron had also produced;[15] CBS executive Jeff Sagansky asked Zadan and Meron to start brainstorming ideas for a follow-up shortly after Gypsy premiered. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. Several well-known actors auditioned for the role, including Wayne Brady, Antonio Sabato, Jr., Marc Anthony and Taye Diggs, the latter of whom was highly anticipated due to his starring role in the musical Rent at the time. Get it by Sat, Jan 14 - Wed, Jan 18 from Halltown, Missouri. "[2] While praising Brandy's subtlety, Richmond found Houston's interpretation of the Fairy Godmother to be an overzealous, "frightening caricature, one certain to send the kids scurrying into Mom's lap for reassurance that the good woman will soon go away. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. "[16] Executive producer Debra Martin Chase explained that, despite enjoying Warren's performance as Cinderella, she and Houston "realized we never saw a person of color playing Cinderella", explaining, "To have a black Cinderella is just something. Cinderella's stepfamily including the Stepmother tries on the slipper with little success. [139] Newsweek opined that Brandy's casting proved that "the idea of a black girl playing the classic Cinderella was [not] unthinkable", calling it "especially significant because" Disney's 1950 film "sent a painful message that only white women could be princesses. Check out our "cinderella 1997" selection for the very best in unique or custom, handmade pieces from our shops. Heavily promoted to re-launch the anthology series The Wonderful World of Disney, Rodgers & Hammerstein's Cinderella premiered on ABC on November 2, 1997 to mixed reviews from critics. graff chevrolet. [16] Despite quickly earning approval from the Rodgers & Hammerstein Organization,[12] Houston typically took longer to make decisions, and although the producers sent and continuously reminded her about the script, it remained unread for several months. [4], By the late 1990s, Disney had grown interested in reviving their long-running anthology program The Wonderful World of Disney. [87] On February 14, 1999 (Valentine's Day), ABC re-aired the film,[21] which was watched by 15 million viewers. [52], Houston's Fairy Godmother was expanded into a more musical role by having the character preface the film with a downtempo rendition of "Impossible". [111] In its year-end edition, TV Guide ranked the program the best television special of 1997. [65] The film was released on DVD on February 4, 2003. [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. [46][47], Jason Alexander was cast as the prince's valet Lionel, an entirely new character created for comic relief. [11][52] Despite being covered by singer Bing Crosby, "There's Music in You" remained obscure for 40 years until its re-discovery. [136], Rodgers and Hammerstein's Cinderella is considered to be a "groundbreaking" film due to its diverse cast, particularly casting a Black actress as Cinderella. I love the fact that millions of children are going to hear her sing 'I can be whatever I want to be.' [117] Freedman's teleplay was nominated for a Writers Guild of America Award for Best Children's Script. [88] According to Ashley Lee of the Los Angeles Times, Cinderella was the most profitable television film of its time. $70.1 million [1] A Cinderella Story is a 2004 American teen romantic comedy film directed by Mark Rosman, written by Leigh Dunlap and starring Hilary Duff, Chad Michael Murray, Jennifer Coolidge, and Regina King. [2] Houston remained heavily involved in the film's production aspects, despite being relegated to a supporting acting role, retaining final approval over all creative decisions, particularly its multiracial cast. "[16], Robert Iscove was enlisted as the film's director,[12] with Chris Montan and Mike Moder producing alongside Zadan and Meron. At the ball, she falls for handsome Prince Christopher (Paolo Montalban . [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. [47] Meanwhile, the royal family wears different shades of purple, a color often associated with royalty. (Disney+) Just before "Cinderella" premiered in 1997, major outlets published their critics' disenchanted reviews. [65] By February 1999, the video had sold more than two million copies. Cinderella (TV Movie 1997) cast and crew credits, including actors, actresses, directors, writers and more. ", "How Brandy's 'Never Say Never' Invented 'The Vocal Bible', "Keke Palmer will play first black Cinderella on Broadway", "Keke Palmer to be Broadway's first black Cinderella", "Will Cinderella's Keke Palmer Return to Broadway? Its lasting legacy is a lesson to Hollywood", "21 Famous Cinderellas Through the Years Brandy (1997)", "ABC's '20/20' Will Air 'Cinderella: The Reunion' 25th Anniversary Special", "Tuesday Ratings: Password Ticks Up, Leonardo and Devils Drop Eyeballs", "Brandy Wants Her '90s 'Cinderella' Movie Streaming On Disney+", "Brandy Has 'No Idea' Why Her Version of 'Cinderella' Isn't on Disney+", "Brandy Talks New Album "B7" and Announces "Cinderella" Release on Disney+", "List of All Cinderella Movies: A History 1899 to 2015", "The Quarantine Stream: 'Rodgers & Hammerstein's Cinderella' is an Impossibly Cheesy Delight", "12 most enchanting Cinderella movies for when you need a little magic", "Brandy And Whitney Houston's 'Cinderella' Is An Underrated Classic", "Rainbow cast, no pot of gold in 'Cinderella', "Movie Review: 'House of Frankenstein'; 'Cinderella'; 'Before Women Had Wings'; 'Murder, She Wrote', "Picks and Pans Review: Rodgers and Hammerstein's Cinderella", "New 'Cinderella' Fails To Weave Any Magic Spells", "Rodgers & Hammerstein's Cinderella [The Wonderful ABC", "ABC asks for more like 'Cinderella' hit", "5 Things You Didn't Know About Craig Zadan", "From Chicago to Jesus Christ Superstar, Craig Zadan Changed the Way We Saw Theater", "Disney Wondering If It's a 'Wonderful World' After All", "Rodgers + Hammerstein's Cinderella (Original Broadway Cast Recording) Shimmers with Opulent Romance and Radiantly Lush Orchestrations", "NC Theatre's Rodgers and Hammerstein's Cinderella", "Deborah Gibson Stars in 'Cinderella' (Living)", "Popular 'Cinderella' adaptations, ranked from worst to best", "Which Cinderella movie is the Cinderellest? [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. Widest Release 3,848 . It's Possible! And once you learn that, you don't unlearn it", representing its theme that nothing is impossible. [34] Having grown up watching Caucasian actresses portray Cinderella, Houston felt that 1997 was "a good time" to cast a woman of color as the titular character, claiming the choice to use a multi-cultural cast "was a joint decision" among the producers,[35] who agreed that every "generation [should] have their own 'Cinderella'. . Cinderella. Con Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. People were clearly still thinking, 'Multicultural is one thing, but do we have to have two black leads? [34][38][41], Cinderella was provided with a more empowering motive in that her fairy godmother reminds her that she has always been capable of bettering her own situation; she "just didn't know it" yet. [96][97], Playbill's Rebecca Paller reviewed the New York screening as "overflowing with star performances, lavish sets" and "lush rainbow-hued costumes", describing its score as "fresher than ever. Critics Consensus: Woody Allen's Blue Jasmine finds the director in peak late-period form -- and benefiting from a superb cast led by Cate Blanchett. Cinderella is a musically-driven bold new take on the traditional story you grew up with. I know it was important for Whitney to leave this legacy for her daughter. For example, 2017's Beauty and the Beast, 2019's Aladdin and Lion King each surpassed $1 billion in box office earnings. [77] Rodgers & Hammerstein's Cinderella premiered on November 2, 1997 during The Wonderful World of Disney on ABC, 40 years after the original broadcast. The Stork Club . [105] In a mixed review, The New York Times journalist Caryn James found the film's multi-racial cast and incorporation of stronger Rodgers and Hammerstein material improve Cinderella overall, but admitted the production fails to "take that final leap into pure magic", dismissing it as "a cobbled-together 'Cinderella' for the moment, not the ages. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. [17] Cosmopolitan's Alexis Nedd wrote that the film's final cast consisted of "Broadway stars, recording artists, relative unknowns, and bona fide entertainment superstars. Now, the 1997 live action remake of Cinderella, starring Brandy and Whitney Houston, is finally available for streaming, thanks to Disney+. Anak-anak. 17. [110] While praising the performances of Houston, Peters and Montalban, Ellin joked that "Cinderella's glass slippers are far too big for Brandy", criticizing her acting while saying that the singer "delivers her lines so timidly and flatly that it's hard to stay focused on the story when Brandy is on the screen", concluding that her co-stars "only makes her weak acting all the more glaring", and causing her to wonder how the film would have turned out had Houston been cast as the lead instead. [17][19] Zadan explained that, because of her popularity, Houston "had so many other concrete things that she was doing that 'Cinderella' took a back seat". "[29] Chase hoped that the film mirroring an evolving society "will touch every child and the child in every adult",[19] encouraging "children of all colors [to] dream. [41] Matthew Gilbert of The Boston Globe complained that despite its "visual charm" and strong performances, the film lacks "romance, warmth, and a bit of snap in the dance department", failing to become "anything more than a slight TV outing that feels more Nickelodeon than Broadway. The timeless enchantment of a magical fairy tale is reborn with Rodgers & Hammerstein hallmarks of originality, charm and elegance. [12] The New York Daily News journalist Denene Millner observed that although the remake is "not all that different from the original", its version of Cinderella is more outspoken, the prince is more interested in finding someone he can talk to as opposed to simply "another pretty face", as well as "a hip fairy godmother who preaches self-empowerment" as a result of its "'90s flair". "[25] Ashley Rey, a writer for Bustle, opined that the film "helped show the world that black and brown faces should have just as much of a presence in fairytale land as white faces do. The film was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. [12] Three songs not featured in previous versions of the musical were added to augment the film's score,[48] each of which was borrowed from a different Rodgers and Hammerstein source;[9][13][35][53] these additions are considered to be the most dramatic of the changes made to the musical. Nel 2016, la Walt Disney Pictures aveva riacquistato i diritti cinematografici de Le cronache di Prydain, da cui tratto il film d'animazione Taron e la pentola magica, con l'intenzione di adattare la serie di libri in una serie di film live-action: il progetto risultava essere in fase di sviluppo iniziale presso i Walt Disney Studios senza ancora alcun regista . [20] Freedman was more concerned with writing a film suitable for young girls in the 1990s than writing a multi-cultural film, inspired by stories about his wife being affected by women's representation in films when she was growing up. Distributor Walt Disney Studios Motion Pictures. [15][39] Describing the film as "Short, sweet and blindingly brightly colored", TV Guide film critic Maitland McDonagh wrote that Cinderella is "overall a pleasant introduction to a classic musical, tweaked to catch the attention of contemporary youngsters. [14] The network grew disinterested in favor of other titles by 1996,[18] while Houston herself was already committed to several other projects. $14.00. Cinderella currently has a score of 97% on Rotten Tomatoes. [37] This version of Cinderella was the first live-action fairy tale featuring color-blind casting to be broadcast on television,[50] boasting one of the most diverse ensemble casts to appear on television at the time. [37] Iscove identified the film's time period as "nouveau into deco," while also incorporating influences from the work of Gustav Klimt. [16] In a final attempt to earn Houston's approval, Meron and Zadan enlisted Broadway actors to perform a read-through for the singer, namely La Chanze as Cinderella, Brian Stokes Mitchell as the prince, Theresa Meritt as the Fairy Godmother and Dana Ivey as the Stepmother. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. Co-produced by Whitney Houston, who also appears as Cinderella's Fairy Godmother, the film stars Brandy in the titular role and features a racially diverse cast consisting of Jason Alexander, Whoopi Goldberg, Bernadette Peters, Veanne Cox, Natalie Desselle, Victor Garber and Paolo Montalban. [55], Rodgers & Hammerstein's Cinderella was the first of the three versions of the musical to be shot on film. Despite being apprehensive about introducing herself to him, the pair bond upon realizing that both are dissatisfied with their sheltered home lives. [79] Similarly, Bert Fink of the Rodgers & Hammerstein Organization said that the program's ratings will most likely "have a salubrious effect on" the future of television musicals. [36] According to Peters, the song demonstrates her character's disappointment in her own life, exploring why she has grown so embittered and jealous of Cinderella. [133] CinemaBlend ranked the film the fourth most charming film adaptation. [16] Instead of making each character more modern, Zadan opted to "contemporize the qualities of the characters" instead. [4] Victor Garber, who was cast as King Maximillian, also enjoyed the film's multicultural cast, describing the fact that his character has an Asian son with an African-American queen as "extraordinary". [21] According to Zadan, musical films struggled to sell well on home video until Cinderella was released. Our countdown includes it had a huge budget, the stepmoth. [37] Zadan and Meron wanted Houston to end the film with a wedding song for Cinderella and Christopher. Yet to be impressed with any of the young women he meets, including Cinderella's Stepsisters, Christopher is growing weary until Cinderella arrives, and the pair instantly start dancing much to the annoyance of Cinderella's stepfamily, who can't help but feel that the unidentified princess is familiar. ", "From Hilary Duff to Brandy: The Top 7 Cinderella Movies", "Watch Rodgers & Hammerstein's Cinderella cast reunion with Brandy, Whoopi Goldberg, and more: 'It was a game changer', "A 25th anniversary special for the Brandy Rodgers & Hammerstein's Cinderella will air on ABC", "How a PR problem led to Disney's first Latina princess, "Elena of Avalor", "Keke Palmer Makes History Again As The First Black Cinderella On Broadway! . That in stories, there are no constraints; the only limit is your imagination. [36] Whoopi Goldberg accepted the role of Queen Constantina because Cinderella reminded her of a period when television specials were "major event[s]" before home video made such programs available and re-watchable at virtually any time, and hoped that the film would re-introduce the tradition of watching it live and "become part of the fabric of our lives again. [27] Both Polygon and Mashable named 1997's Cinderella the best version of the story,[100][132] while Entertainment Tonight ranked the film the third greatest adaptation of the fairy tale. [36] Montalban enjoyed this version of the prince character because "he isn't just holding out for a pretty girl he's looking for someone who will complete him as a person, and he finds all of those qualities in Cinderella. [121] Bill Carter of The New York Times predicted that the success of the broadcast "will mean more musicals for television, probably as early as" 1998. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. "[36] Due to the well-known cast, tabloid newspapers often fabricated stories of the cast engaging in physical altercations, particularly among Brandy, Houston and Goldberg, all of which were proven false. Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. [30][31], Brandy likened being hand-selected for Cinderella by a performer she idolizes to a real-life fairy tale,[32] accepting the role because she already had successful singing and acting careers, in addition to relating to the main character in several ways. [101] Some purist fans were less impressed with the contemporary arrangements of Rodgers and Hammerstein's original music. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. [16] James concluded, "for a generation of young children of color, 'Cinderella' became an iconic memory of their childhoods, of seeing themselves in a black princess who could lock eyes and fall in love with a Filipino prince. When Cinderella's stepfamily return home, they begin sharing embellished recounts of their evening. [51], ABC aired Rodgers & Hammerstein's Cinderella on August 23, 2022 for the film's 25th anniversary, following Cinderella: The Reunion, A Special Edition of 20/20. [84] AllMusic biographer Steve Huey attributes the film's high ratings to its "star power and integrated cast". Based on Charles Perrault 's 1697 fairy tale of the same title, it is the 12th Disney animated feature film. [42] Disney asked the Rodgers & Hammerstein Organization to be as open about changes to the musical's score as they had been about the script and cast. Semenjak itu beliau telah terlibat dalam pelbagai filem, melakonkan pelbagai watak. "[106] Describing the film as "big, gaudy, miles over the top and loads of fun", Variety's Ray Richmond found some of its aspects distracting and opined that the entire project "could have been toned down a notch and still carried across plenty of the requisite spunk. has two spoilt daughters of her own. [42][52] She advises her own daughters about love and relationships,[52] warning them not to confuse love with marriage. MPAA Rating: PG for suggestive material and language. "[41] While lauding Brandy and Montalban's efforts, James described the film's feminist re-writes as "clumsy" and accused it of wasting Houston's talent. [52] While Mary, Rodgers' daughter, was initially against using "Falling in Love With Love", she relented once Peters was cast as the Stepmother,[52] feeling confident that the Broadway veteran was capable of "put[ting] a different kind of spin on it. Theater box office or somewhere else 7 Reviews 10,000+ Ratings. [45] Peters' stepmother was adapted into a more comical version than previous incarnations of the character due to the actress' comedic background. [102], Teresa Talerico, writing for Common Sense Media, praised the film's costumes, sets and musical numbers while lauding Peters, Goldberg and Houston's performances, but found the choreography stiff. [40] Freedman granted the prince "a democratic impulse" that drives him to spend time among the citizens of his country in the hopes of better understanding them. "[37] Rob Marshall choreographed and staged the film's musical numbers,[31][57] which he credits with teaching him how to choreograph dance sequences for motion pictures. [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. [15] The film became ABC's most-watched Sunday night program in more than 10 years,[81][82] as well as the most-watched program during the network's two-hour 7:00 pm to 9:00 pm time slot in 1314 years,[9][15][78][83] a record it broke within its first hour of airing. "[34], The film received several accolades. The film was a huge box-office success and allowed Disney to carry on producing films throughout the 1950s. In the end, Cinderella and the Prince marry in a grand ceremony, while the palace gates close on her stepfamily, forcing them to watch from outside. [101] Applauding the film for providing minorities with "the chance to see themselves depicted as royalty for perhaps the first time", Bryant identified Brandy as a princess for Black girls to "fawn" over, which Disney would not revisit until The Princess and the Frog (2009). Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. [35] In addition to developing a good relationship with each other, the producers established a strong rapport with Rodgers & Hammerstein Organization President Ted Chapin. [20] Houston described her character as "sassy, honest and very direct all the things that you'd like a godmother to be. [143], According to Ruthie Fierberg of Playbill, Brandy's performance "immortalized the role on screen",[144] while Hollywood.com's Jeremy Rodriguez ranked her seventh out of "10 Actresses Who Played Cinderella Like Royalty", praising her for introducing "a more independent version of the classic character. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original.
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